i feel the need to create an image of great weight


“I am young, I am twenty years old; yet I know nothing of life but despair, death, fear, and fatuous superficiality cast over an abyss of sorrow. I see how peoples are set against one another, and in silence, unknowingly, foolishly, obediently, innocently slay one another.” -Erich Remarque 

“I am young, I am twenty years old; yet I know nothing of life but despair, death, fear, and fatuous superficiality cast over an abyss of sorrow. I see how peoples are set against one another, and in silence, unknowingly, foolishly, obediently, innocently slay one another.” -Erich Remarque 

(via cinemastatic)

yamino:

lalondes:

crystalzelda:

ameliaelizabeth:

TIME’s new cover makes me so mad I could write essays about it, but instead I’m going to keep job hunting since in today’s world a university degree means nothing and therefore like much of my generation, I’m stuck choosing between minimum wage jobs and internships that I can’t afford to accept in an attempt to pay off my tens of thousands of dollars worth of student debt.

I’d be interested in reading this article to see exactly what makes us entitled and lazy. Are we lazy because more of us are completing high school and going to college than ever before? Are we entitled because our standard of living is declining? Do we live with our parents because we’re too slothful to leave or is because our education costs are getting steeper and steeper while we’re getting less and less aid?

Tell us, Time Magazine, about how we’re narcissistic little slugs when we’re faced with an economic crisis that resulted in a lowering of our standard of living, an increase in tuition costs and how when we get out of our very expensive schools, more and more of us are going to end up working minimum wage jobs. 

I also want to note that it’s really frustrating that the face of “lazy, entitled narcissism” is a young woman.

Let’s blame ALL the victims of economic collapse instead of the people who actually caused it.

image

(via octogatita)


Interiors with mirrors by Walker Evans 1. Bedroom Interior with Dresser and Mirror, attributed, nd 2. Interior View of Heliker/Lahotan House, Walpole, Maine, 1962 3. Dressing Stand with Oval Mirror in Bedroom, Hobe Sound, Florida, 1934 4. Interior of Unemployed Man’s House. Morgantown, West Virginia, 1935



Interiors with mirrors by Walker Evans 1. Bedroom Interior with Dresser and Mirror, attributed, nd 2. Interior View of Heliker/Lahotan House, Walpole, Maine, 1962 3. Dressing Stand with Oval Mirror in Bedroom, Hobe Sound, Florida, 1934 4. Interior of Unemployed Man’s House. Morgantown, West Virginia, 1935



Interiors with mirrors by Walker Evans 1. Bedroom Interior with Dresser and Mirror, attributed, nd 2. Interior View of Heliker/Lahotan House, Walpole, Maine, 1962 3. Dressing Stand with Oval Mirror in Bedroom, Hobe Sound, Florida, 1934 4. Interior of Unemployed Man’s House. Morgantown, West Virginia, 1935



Interiors with mirrors by Walker Evans 1. Bedroom Interior with Dresser and Mirror, attributed, nd 2. Interior View of Heliker/Lahotan House, Walpole, Maine, 1962 3. Dressing Stand with Oval Mirror in Bedroom, Hobe Sound, Florida, 1934 4. Interior of Unemployed Man’s House. Morgantown, West Virginia, 1935
Interiors with mirrors by Walker Evans

1. Bedroom Interior with Dresser and Mirror, attributed, nd

2. Interior View of Heliker/Lahotan House, Walpole, Maine, 1962

3. Dressing Stand with Oval Mirror in Bedroom, Hobe Sound, Florida, 1934

4. Interior of Unemployed Man’s House. Morgantown, West Virginia, 1935

(via darksilenceinsuburbia)


2001: A Space Odyssey + red

2001: A Space Odyssey + red

2001: A Space Odyssey + red

2001: A Space Odyssey + red

2001: A Space Odyssey + red

2001: A Space Odyssey + red

2001: A Space Odyssey + red

2001: A Space Odyssey + red

2001: A Space Odyssey + red

2001: A Space Odyssey + red

2001: A Space Odyssey + red

(via anthonygherkins)


“I think our purpose as filmmakers or as storytellers or whatever you’re going to call us is to say that at this particular point with this relationship, with this social structure, in this political climate, this is the best film I could do. I think that’s all we can do. Then we’re not exploitative, we’re not the Spielbergs or the whatever. Then it becomes extremely personal, for better or worse. So don’t get confused by digital or non-digital or money or not—just do the best fucking film you can with your abilities at that time. I mean, why else do we make films when we could have gone into real estate?”
Christopher DoyleBorn May 2, 1952

“I think our purpose as filmmakers or as storytellers or whatever you’re going to call us is to say that at this particular point with this relationship, with this social structure, in this political climate, this is the best film I could do. I think that’s all we can do. Then we’re not exploitative, we’re not the Spielbergs or the whatever. Then it becomes extremely personal, for better or worse. So don’t get confused by digital or non-digital or money or not—just do the best fucking film you can with your abilities at that time. I mean, why else do we make films when we could have gone into real estate?”

Christopher Doyle
Born May 2, 1952